Music 203 Andrew Connell Study Guide Test 1

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Culture

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174 Terms
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Culture

A shared set of beliefs and practices that defines a group of people

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Music Culture

A set of shared musical beliefs and practices that defines a group of people

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Enculturation

The process of how infants learn culture

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Acculturation

Cultural change that occurs in response to extended first hand contact between 2 or more previously autonomous groups

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Appropriation

To take a trait or practice from another individual or cultural group and make it your own

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Examples of Organology

Aerophones (woodwinds)

Chordophones (guitar, banjo) Membranophones (drums) Idiophones (cowbell, triangle, etc.)

Electronophones & mechanical instruments

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Aerophones

woodwinds

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Chordophones

guitar or banjo

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Idiophones

Cowbell, triangle, ect

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Electronophones

Mechanical instruments

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Frequency

pitch

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Amplitude

volume

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Spectrum

timbre

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Sound & perception

Frequency = pitch Amplitude = volume Spectrum = timbre

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Rhythm

Pulse/Beat Polyrhythm (two different rhythms going on simultaneously) Meter (Duple, triple, Compound) Rubato (Nonmetered)

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Meter

Duple, Triple, Compound

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Polyrhythm

two different rhythms going on simultaneously

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Melody

scale Ornmentation Syllabic vs melismatic singing

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Ornamentation

Taking one melody and making it your own Example(Jimi Hendrix Nation anthem)

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Harmony

Chord

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Texture

Monophony - Solo, or same Heterophony - All playing or singing same tune but a little off (ex. When people sing happy birthday... all not same key or same texture) Polyphony - Many different sounds/ words going on

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Monophony

Solo or same

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Heterophony

All playing or singing same tune but a little off (ex. When people sing happy birthday... all not same key or same texture)

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Polyphony

Many different sounds/ words going on

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Arrival of Indians in America

Asian hunters crossed Bering land bridge 40k to 15k years ago

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European Contact

They arrived to: -2-18 million inhabitants -100 tribal groups -300 distinct languages -Attempted to convert them to evangelism -Forced relocation -Tried to get them to drop their ways for "western culture"

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Difficulties of studying early Indian Music

It was an oral culture making it hard to track/ understand with no writings

Language barrier (300 different languages)

Eurocentric biases

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How to study Indian Music

Material Culture - First hand sources, bones, paintings, instruments

Oral Culture - Talk to American Indians about their tradition and oral stories

Historical Accounts - "read between the lines" of Eurocentric historical sources... note the biases though (above)

Extrapolating Backwards- Track current music backwards

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Role of music in native culture

Linked to rituals very strongly and important tribe functions

Ownership of songs is related to tribes not one specific writer/ composer, etc.

Used for vision quests, successful hunts etc.

Spiritually powerful and important, deeper meaning and effects on the audiences or performer

They are judged by "efficacy" (effect) not the beauty or complexity and flow of the song

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Musical characteristics of Native American

Monophonic - Predominantly vocal

Vocables, not words, no direct meaning

Short repeating melodies (3-6 notes)

Musical instrumentsRepetitive with subtle variation

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Musical instruments of Native Americans

Membranophones and Idiophones - Drums, rattles, flutes were Most commonly used

Aerophones - Less common but used for love/ courting a woman

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Plains style (Pow-wow style)

Male singers

Central Drum

Leg Bells

Tense pulsing voices

Downward, terraced couture

"Honor Beats" signal the end

Ululation: Female singers yodel like sound

LISTENED to "War Dance Song"

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Southwest style (Pueblo)

Melodic contour, wide leaps to high accented pitch

Angular, undulating phrases

Rhythm: long - short

LISTENED to "Round dance song"

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Northwest Pacific

STRONG song ownership

meant To reinforce social hierarchy

Potlatch ceremony (celebration)

Characteristics: Planks, drums, and rattles Undulating melodies Open relaxed voice LISTENED to "Whale dance"

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Example of Pan-Indian movements

Trail of tears (1830-1842)

Ghost dance

Pow wow

Wounded Knee massacre (1890)

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Trail of tears (1830-1842)

Forced relocation to Oklahoma

Many died while being forced to relocate

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Ghost Dance

Used to wish for the white man to die so they could revert back to before the Europeans came over

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Pow Wow

Cross tribal gatherings

Songs, dance, food, culture, contests

Celebration of life and culture

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Wounded Knee massacre (1890)

Killed unarmed Ghost dancers

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Native Influences on American popular music

Mildred Baily

Jimi Hendrix

"Come and Get Your Love" - Redbone

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The drum in Indian music

metaphor for the heartbeat/heart of tribe

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Protestant Reformation

Challenged key catholic beliefs

Martin Luther (1483-1546)

John Calvin (1509-1564)

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Anglo Settlers in the US brought (Came to NA because?):

An aversion to State religion and Church Hierarchy

Sang early Psalm Books

Reverend Henry Ainsworth

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Psalm meter

based on syllables per line

Music as a vehicle for words

Bay Psalm Book

"message over music"

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Long Meter in Psalm books

8.8.8.8

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Common Meter for Psalm Books

8.6.8.6

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Short meter for Psalm Books

6.6.8.6

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Bay Psalm Book

first book printed in British North America

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Divergent themes of early Sacred Music

Praise - Direct praise

Edification - Intellectual, moral, and spiritual improvement

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Edification

Praise through Intellectual, moral, and spiritual improvement (should lift you)

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Lining out

Song leader gives each line of the tune and the chorus repeats it back

Criticized as "praising god through piece-meal"

LISTEN to "Guide me, O thou great Jehovah"

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Singing schools

Centered in New England

"regular singing"

Brings about the return of church choirs

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William Billings (1746-1800)

New England Psalm-Singer (1770)

----First by an American composer

----Waited to print until he could print on American paper

The Singing Master's Assistant (1778)

"First American composer worthy of note"

Known for Subscription sales

LISTEN to "Chester" ---Popular revolutionary-era song

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Shape Notes

Popular in rural north and the south

Melody in middle voice tenor

"Sacred Harp" (1844)

"Of, for, and by the people" ----Democratic music making

was looked down upon by some due to "dunce notes" and it was "unscientific music"

looked down upon by those supporting Edification... "correct singing"

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Black Sacred Harp Singing

Cross cultural

"The Colored Sacred Harp" (1934) by African American composers

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"The Colored Sacred Harp" (1934)

Composed completely by African American

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Lowell Mason (1792-1872)

Born into singing school tradition

Moved to Boston ----Involved in Boston Handle & Haydn Society collection of church music (1821)

Sold 50,000 (split 50/50 with publisher = great deal for him)

LISTEN to "Olivet"

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Lowell Mason's influence on music education

Children singing schools in 1830 ----1,500 students in year one

Had goal of universal music literacy

Entered music into Boston school curriculum in 1838 ----Manual of the Boston Academy of Music

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Mason's System

  1. Teach singing before notation

  2. Active learning

  3. Teach one element at a time

  4. Master each step before moving on

  5. Theory & principal follow practice

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Slave trade

First slaves brought over in 1619

About 10 million taken to new world

Only about 500,000 taken to US

Economics dominated morality, fueling importation/ harsh treatment of slaves

Because cotton drove US economy

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Economics dominated morality, fueling importation/ harsh treatment of slaves because

cotton drove US economy

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End of Slavery

1863: Emancipation Proclamation

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13th amendment (1865)

outlawed slavery

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14th amendment (1868)

if born here you are a US citizen protected by the US and the constitution

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15th amendment (1870)

stated that all MEN can vote regardless of ethnicity

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Post emancipation relations

Roughly 100 years of racial terrorism and systematic discrimination

1964 civil rights act

1965 voting rights act

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African musical traits:

Lack of texts

Oral culture

Only euro-American written accounts ----BIAS behind it

Percussion dominant

Polyrhythms Interlocking parts

Call and response

"Heterogeneous sound ideal"

Vocal style

Dance is prevalent and important

Music integrated into their daily life

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Regional differences in slavery

North: ----Urban ----Greater acculturation (definition on first page), less retention of African ways

South: ----Rural plantation culture ----Less white/black interaction ---------Led to them keeping more traditions with out adapting to white culture

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African holiday festivals

Had African festivals on Christmas, Election days, and the Pentecost

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Music in African Diaspora

Cuba ----Santeria, rumba "spirit possession"

Haiti ----Voudoun, rara

Brazil ----Candomblé, samba

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Work Songs, Field hollers

These songs were part of daily life Listen "I don't mind the weather" - holler

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Evangelism among African Americans

North: predominantly Methodists

Trinity Church in NY was the first mixed church that accepted blacks

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Opponents feared conversion of blacks why?

Because baptism would mean they are humans and gods children that would then, in turn, be considered humans with rights

Also, they feared that they would be "too uppity and proud to work"

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The Great Awakenings (1730-1740 & 1780-1830)

Evangelical revivals

Whites and Blacks worshiped together

Criticized by conservative Methodists

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Richard Allen (1760 - 1831)

1784, appointed preacher in Philly

Old St. George's Methodist Church

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African Methodist Episcopal Church (AME)

Founded by Richard Allen in 1794

Published songs and hymns in 1801

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Wandering refrains

1 to 2 lines put in any song (call & response)

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Ring Shout and the Spiritual

West African dance performed by dancing in a circle and responding to the preacher's shouts; influenced Jazz

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Aesthetic transformation of Music (African Americans)

European music transformed to African/ hymn tune

Hymn turned into African American Spiritual music

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Georgia Sea Islands

Isolated African Americans, no white males, enabled them to carry on strong/ historic African culture

LISTEN - Adam in the Garden

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Cloaked meanings in spiritual texts

Used to communicate messages songs, had encoded meanings

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Slaves used Bible imagery to describe their life such as

The wretchedness of slavery

Hopes/ dreams of escaping

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Symbols Slaves used Bible imagery to describe their life

Israelites = Slaves

Pharaoh = Owner

Chariot = Underground railroad

Canaan = Northern lands and safety

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Israelites hidden meaning

slaves

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Pharaoh hidden meaning

Slave owner

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Chariot hidden meaning

Underground Railroad

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Canaan hidden meaning

Northern lands and safety

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Ballad Tradition

Popular narrative song

Stanzas

Strophic is music stays same, words change

Oral tradition, not written down

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Strophic

music stays same, words change throughout the song

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Ballad types

From US perspective ----Imported ----Naturalized to new world through meaning, words, etc. ----Native ones are composed in Americas LISTEN to Barbara Allen

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Barbara Allen

Composers ----HJ Beeker ----May Kennedy McCord ----Pete Seeger

Scottish roots

Based on 17th century Scottish ballad

Emotional core

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Native Ballads

Songs composed in Americas

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Naturalized Ballads

Music that has been changed to make it more local to America

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Murder ballads

Often based on real events, past or present

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Colonial Music Activities, why was this an issue?

because it is seen as a primitive activity to dance could Also, can be seen as a sin

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Francis James Child (1825-1896)

Known for his collection of ballads, The English and Scottish Popular Ballads (5 total volumes)

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Cecil Sharp & Olive Campbell

known for their folk songs collection called Folk Songs of the Southern Appalachians (1917)

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Founded in 1928 by father and son John and Alan Lomax

Archive of American Folk Song

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Archive of American Folk Song

Founded in 1928 by father and son John and Alan Lomax

Folk researchers and political activists

Recorded some of the first rural folk songs

Though music had the power to inspire political change

Representation of the working man

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Urban Folk song movement

focused on social advocacy

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