Unit 2: Ancient Mediterranean, 3500 BCE–300 CE

The first great buildings of the ancient world; were made of baked mud, and they were tall, solid structures that dominated the flat landscape.

A network of caves near the village of Montignac, in the department of Dordogne in southwestern France.

A Mesopotamian celestial being with a human head, bull's body, and wings.

a system of writing in which the strokes are formed in a wedge or arrowhead shape

having the power to ward off evil or bad luck

It has realistic-look-ing figures acting out identifiable narratives.

empty space around an object or a person, such as the cut-out areas between a figure’s legs or arms of a sculpture

A sign of debasement; only slaves and prisoners are nude.

a system of representation that expresses a person’s importance by the size of his or her representation in a work of art

An advocate for a given city in the assembly of gods.

In the Sumerian world, the _____ symbolized powers that were manifest in nature.

Became the center point of both civic and religious pride.

ascending the stairs requires angular changes of direction to reach the temple

the main room of a temple where the god is housed

was used to disguise the mud appearance; hence the modern name of White Temple.

May be the first true city in history; the first with monumental architecture.

The god of the sky, the most important Sumerian deity.

Offered in fulfillment of a vow or a pledge

a baseline upon which figures stand

the map of a floor of a building

a horizontal band, often on top of another, that tells a narrative story

a deep-blue stone prized for its color

an Assyrian specialty, although the lamassus are virtually three-dimensional as they project noticeably from the walls they are attached to.

the top element of a column

an audience hall in a Persian palace

An indication of one of the many cultures that inspired the complex.

Buttresses spaced across the surface; tapers downward so that rainwater washes off. Resembles a mountain. Bent-axis plan

different heights; hands are folded - gesture of prayer; huge eyes; arms and feet cut away; placed in a temple to pray before a sculpture of a god.

wood inlaid with shell, lapis lazuli, and red ­limestone; broad frontal shoulders; bodies in profile; twisted perspective. Reflects extensive trading network. Has two sides: War Side and Peace Side

Written in cuneiform | Akkadian language. One of the earliest law codes; 300 entries

Human-headed winged animal guardian figures. Meant to hold up the walls and arch of a gate. Meant to ward off enemies both visible and invisible. Carved from a single piece of stone.

Built for lavish receptions and festivals. Proudly proclaim this complex as the seat of a great empire. Built by Darius I and Xerxes I. Destroyed by Alexander the Great

a king of ancient Egypt

Represented as a sun disk emanating rays.

Modern Egyptology began with the 1799 discovery of the _____, from which hieroglyphics could, for the first time, be translated into modern languages.

The feverish scramble to uncover Egyptian artifacts culminated in 1922 with the discovery of _______’s tomb by Howard Carter.

literally, a “city of the dead,” a large burial area

A simple tomb that has four sloping sides and an entrance for mourners to bring offerings to the deceased.

a column that is not freestanding but attached to a wall

a column that is cut away from rock but has no support function

The god was housed in a sacred area just beyond, which was surrounded by a forest of columns, called a ____.

Some of the columns were higher than others, allowing limited light and air to enter the complex, an area called a ___.

a tall aquatic plant whose fiber is used as a writing surface in ancient Egypt

These are stone coffins.

It describes the deceased and his or her accomplishments in great detail, without which the dead would have incomplete afterlives.

sculpture which projects from a flat background.

A very shallow relief sculpture

a baseline upon which figures stand

a horizontal band, often on top of another, that tells a narrative story

the soul, or spiritual essence, of a human being that either ascends to heaven or can live in an Egyptian statue of itself

a building with an elongated ground plan

a monumental gateway to an Egyptian temple marked by two flat, sloping walls between which is a smaller entrance

a roof that rises above lower roofs and thus has window space beneath carved into a surface so that the figures seem to project forward

a carving in which the outlines of figures are deeply

a colonnade surrounding a building or enclosing a courtyard

an Egyptian symbol of life

art created during the reign of Akhenaton, which features a more relaxed figure style than in Old and Middle Kingdom art

The hippopotamus/lion figure; between the scales, will eat the heart of an evil soul.

A god who has the head of a bird; the stenographer writing down these events in the hieroglyphics that he invented.

god of the underworld, enthroned on the right; will subject the deceased to a day of judgment.

A scribe who had priestly functions.

Represents the unification of Upper and Lower Egypt under one ruler. Schematic lines delineate in the muscle structure. Hieroglyphics identify him in the cartouche; used to prepare eye makeup | commemorative

Not a pharaoh; has high cheekbones, hollow cheeks, and a distinctive jawline. Created for a tomb at Saqqara as a provision for the ka.

Name of the Three Great Pyramids

Giant monuments to dead pharaohs. Preservation of the body and tomb contents for eternity. Served as the king’s palace in the afterlife. Shape must have been influenced by a benben.

Carved in situ from a huge rock. Body of a lion, head of a pharaoh/god; protecting the pyramids behind it

two figures attached to a block of stone; seem to stride forward; simultaneously are anchored to the stone behind; receptacle for the ka of the pharaoh and his queen.

Axial Plan. Pylon Temple | Hypostyle halls. Massive lintels, columns. Temple for the worship of a god. Temple represents the beginnings of the world

A sandstone partly carved into a rock cliff. Three colonnaded terraces and two ramps. Long horizontals and verticals of the terraces and colonnades repeat the patterns of the cliffs behind; patterns of dark and light in the colonnade are reflected in the cliffs.

Made of red granite. Male pharaonic attributes. Wears the white crown of Upper Egypt. Depicted in male costume of a pharaoh

Amarna Style; a sunken relief; state religion was changed by Akhenaton to the worship of Aton> Having a private relationship with their new god

A gold with an inlay of enamel and semi-precious stones. Smooth, idealized features on the mask. Holds a crook and a flail, symbols of osiris; buried with 143 objects

Narrative on a uniform register. Illustration from the Book of the Dead. Top register - white at left before a row of judges; main register - Anubis leads the deceased into a hall

________ used the extra funds in the Persian war treasury to build the Acropolis; Greek allies were furious that the funds were not returned to them.

________ made saltwater spring from the ground on the Acropolis.

________ are built with the post- and- lintel system in mind, the columns are never too widely set apart.

The ________ was a bowl for mixing water and wine because the Greeks never drank their wine straight.

He wrote a famous (no longer existing) book on the canon of human proportions

He wrote on the nature of ideal architecture

The fluid body movement and relaxed stance that was unknown in freestanding sculpture before this

a type of painting in which colors are added to hot wax to affix to a surface

a garment worn by women in ancient Greece, usually full length and tied at the waist

a body of rules or laws; in Greek art, the ideal mathematical proportion of a figure

the tradition of depicting heads of figures on the same level

a ceremonial road for a procession built to honor Athena during a festival

ancient Greek goddess of victory

an upright stone slab used to mark a grave or a site

Greek goddess of war and wisdom; patron of Athens

King of the ancient Greek gods; known as Jupiter to the Romans; god of the sky and weather

a mythical ancient Greek war between the giants and the Olympian gods

the body of a column

a small relief sculpture on the façade of a Greek temple

a plain, unornamented lintel on the entablature

the upper story of a Greek temple

an entranceway to a building having columns supporting a roof

These are seated over the tops of columns, contain sculptures representing the heroic deeds of the god or goddess housed inside

It separates the upper and lower parts of a Greek temple

a public plaza in a Greek city where commercial, religious, and societal activities are conducted

a chamber used by a council of 500 citizens, called a boule, who was chosen by lot to serve for one year

a round structure manned by a group of senators 24 hours a day for emergency meetings; served as a dining hall where the prytaneis (executives) of the boule often met